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The lackluster At War with the Mystics came out in 2006, and while it wasn’t an out-and-out failure by any means, it still traded in the band’s knack for honest emotional heft for wry (and dated) pop-culture references, which - while disappointing at its core - managed to free the band up to do whatever they wanted after the fact. You see, after releasing two masterpieces in a row, even Coyne was wise enough to know that the impossibly high expectations couldn’t be topped again. Had they not, we may never have had the ramshackle joys of The Flaming Lips and Heady Fwends.
Thank goodness they fucked up after that. Then, of course, we had that glorious one-two punch of The Soft Bulletin (1999) and the awe-inspiring Yoshimi Battles the Pink Robots (2002), and it was pretty much settled: the Flaming Lips had turned into one of the greatest bands working today. Yet over time, Wayne Coyne’s cryptic tales began finding their heart, and by the time 1995’s Clouds Taste Metallic came out, fans knew that something was changing deep inside the band: their songs were getting warmer and sweeter, all without having to sacrifice their love of the bizarre. It’s kind of great to hear the Flaming Lips truly not give a damn anymore.īack in the late ’90s, these Oklahoma-bred psych-rockers slowly built up an acid-drenched following with their absolutely oddball, out-there (yet-fully realized) psych-rock sound, releasing albums filled with in-joke weirdness and drug-addled insanity to a slowly swelling cult audience. Wayne Coyne to PopMatters, 27 January 2012 And so I found places that can do what we want them to do quicker. I just started to say, ‘Well, I’m going to find somebody who can help me do it quicker and better and not so much bureaucracy.’ And I didn’t know if it would be three weeks or if it would be four weeks. When I asked how long it would take, they were like, ‘Well, if you can get the music to us, we can get you maybe a demo, a master that you can listen to in six weeks,’ and I can’t take six weeks. ‘We just can say, ‘We know how this shit works, and we are going to move ahead on this.’ When we made that Neon Indian record that, I believe it was March when that came out, we recorded it and in six days actually had a record in our hands. “‘Nowadays we don’t really need to give us money,’ Coyne says. Wayne Coyne to PopMatters, 20 January 2012
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Because it’s hypnotic, and it’s not punishing, and it’s not disorienting, and it doesn’t require your full attention.” So you know, when we want music to go on for an hour, we present it you as something you can handle for an hour. Добавлены студийные альбомы With A Little Help From My Fwends (2014), Oczy Mlody (2017), King's Mouth (2019), American Head (2020).“I wouldn’t say we know a lot about music, but we know a lot about the way our audience listens to music, because they’re like us. Добавлены EP's 24 Hour Song Skull (2011), The Flaming Lips With Neon Indian (2011), The Flaming Lips With Prefuse 73 (2011). A Day In The Life (featuring Miley Cyrus & New Fumes) (4:55)
Pepper's Lonely Hearts Club (Reprise) (featuring Foxygen & Ben Goldwasser) (5:14)ġ3. Good Morning Good Morning (featuring Zorch, Grace Potter & Treasure Mammal) (3:15)ġ2. Lovely Rita (featuring Tegan and Sara & Stardeath and White Dwarfs) (4:19)ġ1. When I'm Sixty-Four (featuring Def Rain & Pitchwafuzz) (3:19)ġ0. Within You Without You (featuring Birdflower & Morgan Delt) (4:39)Ġ9. Kite! (featuring Maynard James Keenan, Puscifer & Sunbears!) (2:34)Ġ8. She's Leaving Home (featuring Phantogram, Julianna Barwick & Spaceface) (3:12)Ġ7. Fixing A Hole (featuring Electric Würms) (3:48)Ġ6. Dog, Chuck Inglish & Morgan Delt) (4:07)Ġ5.
Lucy In The Sky With Diamonds (featuring Miley Cyrus & Moby) (5:42)Ġ4. With A Little Help From My Friends (featuring Black Pus & Autumn Defense) (3:34)Ġ3. Pepper's Lonely Hearts Club (featuring My Morning Jacket, Fever the Ghost & J Mascis) (2:45)Ġ2.
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